…and it was really something.
I started the book in 2011, but didn’t make it all the way through. Now that I’ve read the whole thing, and with slightly more sophistication than I had when I was eighteen, I can see that I originally misread it in several ways. Which is forgivable.
Douglas Hofstadter’s 1979 masterpiece Gödel, Escher, Bach spans 777 pages, and weaves together topics as diverse as music, math, art, Zen, communication, intelligence, and molecular genetics. It’s putatively about how a sense of self can arise from fundamentally selfless ingredients. Insofar as it answers that question, it does so better than any other source I’ve ever come across. The argument is never laid out explicitly, so in this post I will attempt to reproduce it in its barest form. It won’t be airtight, but that was never Hofstadter’s aim. Here goes:
P1. The self is the part of the mind that is conscious.
P2. The mind is a product of the brain.
P3. The brain is composed of neurons.
P4. All neuronal activity is either transmission or inhibition of electrical impulses.
P5. Electrical impulses carry information.
P6. Information is that which can be translated from one form to another, such that the original form could be deduced from the translated form, given a decoding mechanism.
P7. The purest way to study the translation and decoding of information is by studying a formal system.
P8. A formal system is comprised of axioms, which are strings of typographical symbols (such as the letters you’re reading right now), and rules for manipulating the axioms to produce theorems, which are new strings of typographical symbols.
P9. A formal system can be devised such that its typographical symbols correspond to logical or arithmetical words in human language, such as “and”, “or”, “not”, “plus”, “equals”, etc, and such that the axioms and rules produce theorems which, when interpreted on the level of human language, express only true statements of number theory—e.g. 2+2=4, 13 is prime, 1 /= 0, etc. Hofstadter calls this system Typographical Number Theory (TNT).
P10. The symbols of TNT can be arranged so as to express (when interpreted on the level of human language) false statements of number theory (such as 1+1=4), but we should not be able to ‘decode’ (i.e. ‘prove’) these statements by running the typographical rules backwards to reach the axioms of TNT, because TNT has been deliberately designed to exclude false number-theoretical statements from the range of possible theorems. In other words, TNT has been designed to be consistent (no provable statement is false) and complete (all true statements are provable).
P11. Rules for manipulating strings of typographical symbols can do nothing but add, subtract, multiply, or replace typographical symbols.
P12. The addition, subtraction, multiplication, or replacement of typographical symbols is precisely what arithmetical operations do.
C13. Any formal system can be translated such that its symbols are expressed as numbers and its rules are expressed as arithmetical operations. (This technique is called Gödel-numbering, after the mathematician Kurt Gödel, who invented it. Every string of TNT has a Gödel number.) (by P11 and P12)
P14. Two numbers can have a relationship where one is typographically identical to the end of the other—for example, ‘4’ is typographically identical to the end of ‘1234’.
P15. Mathematical proofs can be expressed in TNT.
P16. Mathematical proofs that can be expressed in TNT have Gödel numbers.
P17. Mathematical proofs end with the statements they prove.
C18. The Gödel number of a mathematical proof in TNT would end with the Gödel number of the statement it proves. For example, the proof “premise 1, premise 2, premise 3; therefore, conclusion” might have the Gödel number ‘1234’, and “conclusion” would have the Gödel number ‘4’. (by P14, P15, P16, and P17)
P19. When two Gödel numbers exist such that one is a proof of the other, and the other is identical to the end of the proof (like ‘1234’ and ‘4’), these numbers can be called a Proof Pair.
P20. Statements of number theory can have free variables. For example, “a = 1” has the free variable a.
P21. Since it is possible to express “a = 1” as a Gödel number, it is possible to insert that Gödel number into “a = 1” as the free variable a. (A statement with a free variable is a bit like a predicate with no subject, like “is a sentence fragment.” What we’re proposing here is like saying “‘is a sentence fragment’ is a sentence fragment.” Already, you can see that self-reference is going to be instrumental in the overall argument.) Hofstadter calls this self-referential sentence the Arithmoquinification of a. The word comes from two ideas:
- For a sentence to "quine" is for a sentence to quote itself, as in "'is a sentence fragment' is a sentence fragment" (after the logician Willard Van Orman Quine)
- The "Arithmo" in "Arithmoquine" signifies that a string of symbols is quining, but arithmetically, as in the Gödel number for "'*a* = 1' = 1".
P22. You can make the statement, “There are two numbers such that one is the Arithmoquinification of the other.” (Like saying, “there are two strings of words such that one is the quinification of the other” or “there is a sentence which quotes itself”). This statement, like all number-theoretical statements, has a Gödel number.
P23. You can make the statement that “There are no two numbers such that a) they form a Proof Pair (i.e. one is the Gödel number of the conclusion of a proof whose Gödel number ends in that first number, as in ‘4’ and ‘1234’, hypothetically), and b) one is the Arithmoquinification of the other (i.e. one is the same as the other except that it has inserted itself into its free variable, as in “‘is a sentence fragment’ is a sentence fragment”).
P24. The string of TNT-symbols that expresses the above statement (in P23) has a Gödel number, and it has a free variable (namely the first number in the statement in P22), which means it can be Arithmoquined (i.e. its free variable can be replaced by itself). (Uh oh.)
P25. If you do Arithmoquine the statement in P23, then you get the following: “There is no Proof Pair ending in the Arithmoquinification of the statement in P23.”
P26. The statement in P25 means, “There is no proof of this statement.”
P27. In other words, “I am not provable in TNT.” (Note that we have not derived this statement from the axioms of TNT. We’ve only expressed it, with the faith that all theorems of TNT are true statements of number theory and that all true statements of number theory are theorems of TNT.)
P28. But if “I am not provable in TNT” is true, then all true statements of number theory are not represented (i.e. provable) in the theorems of TNT.
P29. And if “I am not provable in TNT” is false, then that precise statement must be provable in TNT, which means that not all theorems of TNT are true.
C30. (And this is Gödel’s first incompleteness theorem—one of the most revolutionary results in all of mathematics:) Any formal system that is sufficiently sophisticated to express truths of number theory cannot be both consistent and complete. (That is, as soon as it gains the power to refer to itself, TNT explodes! #pun) (by P19-P29)
P31. (And here’s where the airtightness of Hofstadter’s argument also explodes, but beautifully:) There is a deep, abstract likeness between a) the information that is carried and manipulated by neurons and b) the information that is carried and manipulated by the rules of a formal system.
P32. Selfless ingredients, when subjected to sufficiently sophisticated rules of manipulation, acquire the ability to indirectly refer to themselves and the system which produces them.
P33. The electrical signals in human brains (selfless ingredients) are subject to (surely highly sophisticated) rules of manipulation via neurons.
C34. Perhaps our sense of self—our subjective experience of the world, our feeling that there is an “I” who is perceiving everything—emerges in our brains as inexorably as self-reference emerges out of formal systems such as TNT, and in an analogous way. (by C30, P31, P32, and P33)
And there you have it. I have barely done justice to the central argument, but I haven’t even talked about the humour, the Dialogues, the fascinating explorations of the work of Escher and Bach, the multi-level puns, and the deep harmony between the book’s content and its form. Gödel, Escher, Bach is one of the mind-boggling books ever written. Undoubtedly, it has far more to offer than what I’ve gleaned in my first full reading.